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Tár: The Woman Conductor Who Sins Like a Man
Don in City Journal
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Don Baton
The Can(n)on Fires Back, Part 1
The Canonic Confusions of Simon Woods
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Don Baton
2
The Price of Equity, Part 1
Florence Price was a Good, Not Great, Composer. We Should Not Be Expected to Pretend Differently
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Don Baton
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Don's Weekly: Harvard is insufficiently woke for one "undefinable artist"
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Southern Orchestra Executive Director Pushing to “Do Away with Blind Auditions”
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1
Don's Weekly Listen: Poulenc's Oboe Sonata
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1
Don's Weekly Listen: Shostakovich's Anti-Formalist "Rayok"
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I Promise I'm not John McWhorter
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2
Don's Weekly Listen: Balakirev's Islamey
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Symphony on Native Land
Cris Derksen with the Orchestre Métropolitain
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Don Baton
2
Cover Letter for Submission of New Drug Gretamine for Emergency-Use FDA Authorization, Submitted by High Tide Therapeutics Ltd. on February…
To whom it may concern: Four years ago, researchers at Yale University first characterized the mental health epidemic of chronic climate dysphoria—a…
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Don Baton
Classical Music's Diversity Fat Cats
A nonprofit may not be doing much good, but its leading couple is doing very well.
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Don Baton
Southern Orchestra Executive Director Pushing to “Do Away with Blind Auditions”
The 1970s innovation of blind auditions—in which auditioning musicians are heard but not seen—was a monumental step for fair hiring in orchestras…
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Don Baton
1
Conflict Resolution at the League
Dear readers: Please accept my continued apologies for putting The Podium on hold during this busy season. Paying subscribers will have noticed that I…
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Don Baton
Ewelldämmerung
Music theory's woke emperor has no clothes.
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Don Baton
4
Insult without Injury
Representational Sin at the Oscars
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Don Baton
2
The Podium
The Podium
I am an American conductor with firsthand knowledge of top orchestras. And unlike the people who run those orchestras, I care deeply about preserving our musical tradition against the vicissitudes of militant wokeness. Join the fight. Subscribe!
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